28th Rendez-Vous with French Cinema

  • Mar 2 - Mar 12
  • Film at Lincoln Center
Photo credit: Film at Lincoln Center

Unifrance and Film at Lincoln Center present the 28th edition of Rendez-Vous with French Cinema, the celebrated annual festival that exemplifies the variety and vitality of contemporary French filmmaking, taking place March 2–12.

Highlights of the 21-film lineup include Arnaud Desplechin’s Brother and Sister, his newest drama starring Melvil Poupaud and Marion Cotillard as siblings Louis and Alice, who are forced to negotiate some kind of coexistence after their parents are involved in a near-deadly car crash; Rachid Hami’s For My Country, which follows the death of Aïssa (Shaïn Boumedine) after a hazing at a military academy, and the efforts of his older brother, Ismaël (Karim Leklou), to bury him and demand answers; Other People’s Children, where director Rebecca Zlotowski draws from her own life to depict the emotional trajectory of Rachel (Virginie Efira), a schoolteacher whose desire for a biological child seems increasingly unlikely to be fulfilled; The Innocent, the latest comedy from actor-writer-director Louis Garrel, which follows Abel (Garrel), a young man who finds himself in over his head while navigating a world of criminal mischief after his mother marries a reformed convict just before the man’s release from prison; Saturn Bowling, Patricia Mazuy’s tense drama, which transforms into a twisty neo-noir as police detective Guillaume (Arieh Worthalter) finds his relationship with his already estranged family further strained by a series of murders; Mother and Son, Léonor Serraille’s portrait of the complex, sometimes painful relationship between an African immigrant mother and her sons; Léa Mysius’s sophomore directorial effort, The Five Devils, starring Sally Dramé as Vicky, a young girl with a supernatural talent for reproducing the scent of anyone and anything she encounters; and The Night of the 12th, a stark thriller from Dominik Moll that delivers the genre hallmarks of true crime to excavate insidious strains of misogyny in contemporary French society.

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